royal academy of music alumni

Perhaps most importantly of all, it was at the Academy that I formed many of the musical partnerships which even now are at the heart of my career.'. As Artistic Director she has quickly been recognised for the striking, enticing tone of her programming, reflecting her own twin interests of song and chamber music. Andrea very much enjoyed her studies at the Royal Academy of Music, undertaking the Choral Conducting MA as a sabbatical giving her the opportunity and space to further develop technique and skills. As a soloist, Ashton won the 2015 Royal Over-Seas League wind, brass and percussion finals and is the recipient of numerous awards, including Making Music’s Philip & Dorothy Green Award for Young Concert Artists, the Royal Academy of Music’s Chris Taylor Flute Award and the Harold Craxton Memorial Trust Award, as well as being supported by The Countess of Munster Musical Trust. He was made an Associate of the Academy in 2015. In recent years, Nathaniel has been invited to guest lead the City of Birmingham Symphony Orchestra, BBC Symphony Orchestra and the Royal Philharmonic Orchestra; previously, he was Assistant Leader of the Philharmonia. As a percussionist, Bedewi appears frequently with the Colin Currie Group, an internationally-acclaimed ensemble founded in 2006 specialising in the music of Steve Reich. Winner of the Royal Academy of Music’s Sir Henry Wood Scholarship and Ernest Read Prize in 2017, he was the youngest semi-finalist in the London Symphony Orchestra Donatella Flick Conducting Competition in 2018. In between these festivals, she is to be found on recital stages across the country, prestigious and obscure. Her formal musical training began at the Junior Academy of the Royal Academy of Music, aged 11, before joining The Purcell School for Young Musicians in 2008. He was made Companion of Honour in 2001. Further highlights include the role of Kostelnička in Jenůfa for Grange Park Opera; Gertrude and The Witch in Hänsel und Gretel for Opera North and Grange Park Opera; and Mrs Lovett in Sweeney Todd for Houston Grand Opera. Charlotte Ashton graduated from the Royal Academy of Music in 2015 with first-class honours and the Principal’s Prize, where she learned flute with Clare Southworth, Karen Jones and Samuel Coles, and piccolo with Sophie Johnson and Helen Keen. At 14, Chaney won a joint-first piano and voice scholarship to Chetham's School of Music, where she focused on classical repertoire. Overview Alumni About us The Royal Academy of Music has been training musicians to the highest professional standards since its foundation in 1822. He has appeared with them as soloist at the 2019 BBC Proms, as well as on tour around China and the UK, and is frequently featured on BBC Radio 2 and 3. Other career highlights have included tours of Australia with the Australian Chamber Orchestra directed by Richard Tognetti, and tours and recordings with Ton Koopman and the Amsterdam Baroque Orchestra. He was Founder Director of the Hellensmusic Festival, which was established in 2013. He then moved to Glasgow in 2019 to join the Royal Scottish National Opera. As it turned out, Peven would be glad he was on that transport. Appointed Principal Horn of the BBC Philharmonic. He has performed in Jenůfa for The Metropolitan Opera and Opernhaus Zürich, Der Freischütz at Teatro alla Scala and Palestrina at Bayerische Staatsoper. Previously, as a professional soprano she has performed and recorded in some of the finest concert halls across Europe including Theatre du Chatelet, Concertgebouw, Barbican Centre, Berliner Philharmonie and the Peristile in Split, Croatia, with ensembles Academy of Ancient Music, Chapelle du Roi and Ex Cathedra. She was made an Associate of the Academy in 2018, recognising outstanding contribution to the industry. Much in demand as a choral conductor and music education consultant, she began her studies at the University of Oxford prior to gaining her MMus in Choral Direction and Church Music at the Royal Academy of Music. The skills that I learnt and picked up whilst being on the course gave me a very good grounding for a career as a recitalist. These four Interlochen alumni ... A member of the British Royal Academy of Music, Norman's list of awards is a mile long, studded with a Lifetime Achievement Grammy and the … Aside from his work at the Cathedral, Joseph maintains an active performance schedule, with recent and forthcoming concerts across the UK and in Germany, and also enjoys dedicating time to organ teaching. An engaging concert performer, Emma Bell has enjoyed a close collaboration with Sir Antonio Pappano on works such as Strauss’s Vier letzte Lieder with the London Philharmonic Orchestra, Britten’s War Requiem with the Orchestra of the Royal Opera House, and both Rossini’s Stabat Mater and Beethoven’s Missa Solemnis with the Accademia Nazionale di Santa Cecilia. Prior to this, he attended the Royal Northern College of Music and the University of Manchester on the Joint Course under the tutelage of Jennifer Galloway and Hugh McKenna. Recording of the Chopin concerti for Decca Classics has been awarded a Diapason d’or de l’année 2020 in the concerto category. Additionally, she has worked for the Royal School of Church Music (RSCM) as a Course Director and Singing Examiner, and for the Royal College of Organists on the TOSE Course as the Choral Direction Tutor. She has sung support and live backing vocals for the likes of Sharon Van Etten, Bruce Hornsby, Jarvis Cocker, Robert Plant, Ben Folds, Patty Griffin and Richard Thompson. He has also participated in masterclasses with Martyn Brabbins and Pierre-André Valade, and as part of the Dirigentenforum in Germany. He also assists the Master of the Choristers in his work conducting the choir, and in the recruiting and training of the choristers. For ten (long and somewhat uncomfortable!) In 1960, he travelled to Princeton as a Harkness Fellow, where he completed the opera Punch and Judy. Amandine Savary (Piano, Chamber Music) Mark Shanahan (Conducting – former Visiting Professor) Paul Silverthorne (viola) David Strange (Cello, Head of Strings) Yevgeny Sudbin (piano, visiting professor) Jeremy Summerly (Sterndale Bennett Lecturer in Music) Robert Tear (Opera – Visiting Professor) Michael Thompson (Horn) Patsy Toh (Piano) Born in Oxford in 1995, Baigent read music at the University of Cambridge, going on to study conducting at the Royal Academy of Music with Sian Edwards and graduating with distinction. Beynon then completed her studies at the Conservatoire National Supérieur Musique et Danse de Lyon with Fabrice Pierre, where she was awarded a DENSM with ‘félicitations du jury’ and completed her postgraduate course with two performances of the Alberto Ginastera Harp Concerto. Concurrent with his Academy studies, he successively held organ scholarships at the Chapel Royal, Hampton Court Palace, London Oratory and St Paul's Cathedral. Catherine Beynon began playing the harp at the age of eight and shortly afterwards won a scholarship from Surrey County Council to attend the Royal College of Music Junior Department, where she studied with Daphne Boden. In this context she is normally to be found giving some dozen performances in four days, ranging from the complete Schubert song cycles in 2019 (partnering Jonathan Lemalu, Nicholas Mulroy and Marcus Farnsworth), and annual commissions from living composers, to performances for pre-schoolers. The creative highlight of her year is the annual New Paths festival, which she and her partner Roland Deller founded in Beverley (East Riding of Yorkshire). She also studied for an MA in Theatre Directing at RADA. She returned to the role of Elisabeth last season at both the Deutsche Oper Berlin and Bayerische Staatsoper. Bullock’s vast and diverse concert work has included the Prelude and Liebestod from Tristan und Isolde with Esa-Pekka Salonen and the Philharmonia Orchestra, and with Zubin Mehta and the orchestra of the Bayerische Staatsoper. A dedicated and much sought-after teacher, Charlston has played a significant role at several prestigious British conservatoires and universities. Start your week with this uplifting 'Bach in lockdown' virtual performance by Academy alumni - Ilona Suomalainen, Barton’s Glowacki, Iñigo Mikeleiz Berrade & Katariina Ahjoniemi with Bach's Brandenburg Concerto No.3 #RAMplaysON The duo are D’Addario strings endorsed artists. Commissioned by BBC Proms to write a unique First Night arrangement for a Grand Virtual Orchestra to mark the 250th anniversary of Beethoven's birth. He gave his acclaimed debut as conductor at Festspiele Mecklenburg-Vorpommern in 2018 and recently was guest conductor with the Bochumer Symphoniker. A regular presence on the stage of the Royal Opera House, Bell's most recent appearances there have included Eva, Madame Lidoine and her highly acclaimed Elisabeth in Tannhäuser, about which The Times wrote ‘her timbre has always been unique but now Bell shows so much more: perfect intonation, tenderness, subtle variation, compelling acting’. Recent highlights include her house debut at Bayerische Staatsoper as Eva in Die Meistersinger von Nürnberg; Freia in Das Rheingold with The Hallé; Madame Lidoine in Dialogues des Carmélites at Staatsoper Hamburg; and Leonore in Fidelio at Oper Köln. Talented Royal College of Music students and alumni made up the majority of finalists in this year’s Kathleen Ferrier Awards. She was Principal Oboe of the King’s Consort from 1999 to 2008 and featured on many of the group’s recordings from that time, most notably as the soloist on a disc of Handel’s oboe sonatas. He is currently Chair of Historical Keyboard Instruments and Professor of Harpsichord at the Royal College of Music. Coming to the UK initially on a scholarship to study piano and singing at the Royal Academy of Music, her compositional talents came to the fore whilst working in the contemporary dance world and she now boasts a rich catalogue of works in all genres: her Opera based on an Isabel Allende story, ‘Letters of a Love Betrayed’, drew comparison with Debussy’s Pelléas and Berg’s Wozzeck; three string quartets; a growing sequence of chamber music Nocturnes featuring horn and oboe, and orchestral music including two violin concertos and a rip-roaring adaptation of Roald Dahl’s ‘Snow White and the Seven Dwarfs’ as well as her Last Night of the Proms opener ‘Arise Athena’. While on sabbatical this spring, he was a visiting artist at the Royal Academy of Music, in London, where he taught the studio of conductors. She was President of the MTA (2015-2016), the UK's largest and longest established association of music teaching professionals, and in 2017 gained the National Professional Qualification in Senior Leadership (NPQSL). Prior to that, she studied at Indiana University with Emile Naoumoff and Professors Brancart, Auer, Gulli and Tocco and at the Royal Academy of Music with Hamish Milne. Jon Ophoff is Director of Production and Technology at Faber Piano Adventures, working with Nancy and Randall Faber on all aspects of book production and multimedia support. Ventris made a long-anticipated role debut in 2019 as Tristan in Wagner’s epic Tristan und Isolde under Alain Altinoglu at La Monnaie, with Operatraveller.com writing: ‘In the love duet, he sang with honeyed warmth, blending handsomely with Merbeth [Isolde] and the orchestra below.’ The same year brought further Tristan performances, this time at the Royal Danish Opera conducted by Lothar Koenigs, and 2020 saw a return to The Metropolitan Opera in a role debut as Tambourmajor in Wozzeck conducted by Yannick Nézet-Séguin. He also holds a Bachelor of Music degree with academic honours from the Cleveland Institute of Music, where he studied with Paul Kantor. This list of distinguished Royal Academy of Music alumni is loosely ordered by relevance, so the most recognizable celebrities who attended Royal Academy of Music are at the top of the list. Aged seven, he started studying composition at Chapman University and physics at California State University, followed by chemistry and mathematics at the University of Pennsylvania and mathematics at Imperial College London. Prior to joining the BBCSO in 2017 he held the position of Co-Principal Timpanist with the London Symphony Orchestra, whilst simultaneously freelancing with all of the major orchestras in London and the UK. Bowler completed her BMus (Hons) at the Royal Northern College of Music and Sibelius Academy, Finland, followed by her MMus and PhD at the Royal Academy of Music. The Royal Academy of Music is the data controller and has overall responsibility for processing the personal data it requires to serve its students, staff, donors, alumni, ticket-buyers, volunteers, applicants and visitors, and to fulfil its role as a leading conservatoire. 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